Published online 15/12/2022

Sommaire

Roumiana Il. PRESHLENOVA, Russia in the Balkans at the end of the 19^th and the beginning of the 20^th century: On the economic impotence of a Great Power

Yura KONSTANTINOVA, Donation and Personality: the Saroglu Case

Tina GEORGIEVA, The free Cossacks and their Activities in Bulgaria (1930s)

Bernard LORY, Les Balkans et le châtaignier : un rendez-vous manqué

Andriana SPASSOVA-TOPUROVA, Bulgarian-Greek disputes on the pages of periodicals during the 19^th century (from the polemics between ‘Tsarigradski vestnik’ and ‘Bosphorus Telegraph’)

Pelin TIĞLAY, The Ideological Melting Pot: Salonican Socialists and “Empire” during the Second Constitutional Period (1908-1912)

Comptes-rendus

Dobrinka PARUSHEVA, Visually Constructing Eastern Europe (Katarzyna Murawska-Muthesius, Imaging and Mapping Eastern Europe. Sarmatia Europea to Post-communist Bloc. New York and London, Routledge, 2021)

Lyudmila MINDOVA, Cinema policies (Gergana Doncheva, Solunskiyat kinofestival. Istoriya, predizvikatelstva i metamorfozi). [Гергана Дончева, Солунският кинофестивал. История, предизвикателства и метаморфози]. Sofia, IBSCT – BAN, 2021.

Roxane D. ARGYROPOULOS, Le Bicentenaire de la Révolution grecque (The Greek Revolution. A Critical Dictionary, dir. Paschalis M. Kitromilidès et Constantinos Tsoukalas. Cambridge Mass. London, The Belknap Press of Harvard University Press, 2021)

Notices bibliographiques

Marian Ţuţui, Studii de film românesc ȿi balcanic. Bucureȿti, Noi Media Print, 2021. (Gergana DONCHEVA)

Rusiya mezhdu Iztoka i Zapada: politika, ideologiya, diplomaciya. Sb. v chest na dots. Dimitar Vechev. Sast. i red. T. Georgieva, I. Baeva [Русия между Изтока и Запада: политика, идеология, дипломация. Сб. в чест на доц. Димитър Вечев. Съст. и ред. Т. Георгиева, И. Баева] Sofia, UI “St. Kliment Ohridski”, 2022. (Elitsa NENOVA)

Peter Kardjilov, The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans (Volume One), Newcastle upon Tyne: Cambridge Scholars Publishing, 2020. (Gergana DONCHEVA)