Issue: 2022 N 4

Issue: 2022 N 4

Published online 15/12/2022

Sommaire

Roumiana Il. PRESHLENOVA, Russia in the Balkans at the end of the 19th and the beginning of the 20th century: On the economic impotence of a Great Power

Yura KONSTANTINOVA, Donation and Personality: the Saroglu Case

Tina GEORGIEVA, The free Cossacks and their Activities in Bulgaria (1930s)

Bernard LORYLes Balkans et le châtaignier : un rendez-vous manqué

Andriana SPASSOVA-TOPUROVABulgarian-Greek disputes on the pages of periodicals during the 19th century (from the polemics between ‘Tsarigradski vestnik’ and ‘Bosphorus Telegraph’)

Pelin TIĞLAY, The Ideological Melting Pot: Salonican Socialists and “Empire” during the Second Constitutional Period (1908-1912)

Comptesrendus

Dobrinka PARUSHEVA, Visually Constructing Eastern Europe (Katarzyna Murawska-Muthesius, Imaging and Mapping Eastern Europe. Sarmatia Europea to Post-communist Bloc. New York and London, Routledge, 2021)

Lyudmila MINDOVA, Cinema policies (Gergana Doncheva, Solunskiyat kinofestivalIstoriyapredizvikatelstva i metamorfozi). [Гергана Дончева, Солунският кинофестивал. История, предизвикателства и метаморфози]. SofiaIBSCT – BAN, 2021.

Roxane DARGYROPOULOSLe Bicentenaire de la Révolution grecque (The Greek RevolutionA Critical Dictionary, dir. Paschalis M. Kitromilidès et Constantinos Tsoukalas. Cambridge Mass. London, The Belknap Press of Harvard University Press, 2021)

Notices bibliographiques

Marian ŢuţuiStudii de film românesc ȿi balcanicBucureȿtiNoi Media Print, 2021. (Gergana DONCHEVA)

Rusiya mezhdu Iztoka i Zapada: politika, ideologiya, diplomaciya. Sb. v chest na dots. Dimitar Vechev. Sast. i red. T. Georgieva, I. Baeva [Русия между Изтока и Запада: политика, идеология, дипломация. Сб. в чест на доц. Димитър Вечев. Съст. и ред. Т. Георгиева, И. Баева] SofiaUI “StKliment Ohridski”, 2022. (Elitsa NENOVA)

Peter Kardjilov, The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans (Volume One), Newcastle upon Tyne: Cambridge Scholars Publishing, 2020. (Gergana DONCHEVA)

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